Alissa Nutting’s debut novel, Tampa, was published by Ecco/HarperCollins in 2013. She is author of the short story collection Unclean Jobs for Women and Girls (Starcherone/Dzanc 2010), which won the Starcherone Prize for Innovative Fiction judged by Ben Marcus. Her fiction has or will appear in publications such as The Norton Introduction to Literature, Tin House, Bomb, and Conduit; her essays have appeared in Fence, the New York Times, O: The Oprah Magazine, and other venues. An assistant professor of creative writing and English literature at John Carroll University, she lives in Ohio with her husband, her daughter, and two spoiled tiny dogs.
Celeste Price is an eighth-grade English teacher in suburban Tampa. She’s undeniably attractive. She drives a red Corvette with tinted windows. Her husband, Ford, is rich, square-jawed, and devoted to her.
But Celeste’s devotion lies elsewhere. She has a singular sexual obsession—fourteen-year-old boys. Celeste pursues her craving with sociopathic meticulousness and forethought; her sole purpose in becoming a teacher is to fulfill her passion and provide her access to her compulsion. As the novel opens, fall semester at Jefferson Jr. High is beginning.
In mere weeks, Celeste has chosen and lured the lusciously naive Jack Patrick into her web. Jack is enthralled and in awe of his teacher, and, most important, willing to accept Celeste’s terms for a secret relationship—car rides after school; rendezvous at Jack’s house while his single father works late; body-slamming encounters in Celeste’s empty classroom between periods.
Ever mindful of the danger—the perpetual risk of exposure, Jack’s father’s own attraction to her, and the ticking clock as Jack leaves innocent boyhood behind—the hyperbolically insatiable Celeste bypasses each hurdle with swift thinking and shameless determination, even when the solutions involve greater misdeeds than the affair itself. In slaking her sexual thirst, Celeste Price is remorseless and deviously free of hesitation, a monstress driven by pure motivation. She deceives everyone, and cares nothing for anyone or anything but her own pleasure.
With crackling, rampantly unadulterated prose, Tampa is a grand, uncompromising, seriocomic examination of want and a scorching literary debut.
There was something repulsive (and revealing) about talking on a cell phone while handling garbage. Why did anyone pretend human relationships had value?
His eyes took in the details of my body with a conflicted gaze that I knew well: even having seen all the facts of the case, he still wanted me. He wanted me despite knowing what that meant about him.
I was like a turd inside someone who’d accidentally swallowed an engagement ring: I was nothing, yet I carried something uniquely special.
I found that sometimes it was a relief to do something unattractive in private, to confirm that I’m deeply flawed when so many others imagine me to be perfect. People are often startled by my handwriting; because I’m pretty, they assume everything I do is pretty. It’s odd to them that I write like I have a hook for an arm, just as Ford would be startled to learn I have a hook for a heart.