Matthew Stokoe is widely considered to be one of the most original and exciting writers of the last twenty years. Translated and published around the world, his books have set new boundaries in urban horror and gritty, pull-no-punches noir.

Dennis Cooper said of Stokoe’s first novel, COWS: “Enormously disturbing and transcendently clever, Cows, a literally eviscerating portrait of life among the British lower classes, is revered internationally as one of the most daring English-language novels of the past few decades.”

After COWS, Stokoe turned his sights on Hollywood, producing the now-famous HIGH LIFE – both a page-turning mystery and one of the most brutal critiques of Tinsel Town ever committed to fiction. Ken Bruen said of it: “…Chandler on heroin, Hammett on crack, James M. Cain with a blowtorch. The writing is a knuckleduster to the brain, a chainsaw to the gut…”

Stokoe has continued to explore his uniquely dark view of lives lived in the modern world, and in 2014 was nominated for the Grand Prix de Littérature Policière – France’s most prestigious crime writing award – for his novel, EMPTY MILE.

The Guernsey’s eyes were deep and brown and Steven knew that the curl of its lips was a small cow smile.

— Matthew Stokoe, Cows

I’d done it, I’d crossed the line between accepted behavior and behavior most of the population would consider a lynching offense, and that morning I felt as real as any of the men in the Escape commercials. It had been dirty and nasty but I wanted more.

— Matthew Stokoe, High Life

He was adrift in their world, unsure of his significance, and to open himself to a point where conversation could take place would only have revealed how unlike them he was.

— Matthew Stokoe, Cows

I slept and the night rolled over into day like a dog. Another post-meridian awakening – sunshine on empty bottles, tangled clothes. I dozed while the temperature rose.

— Matthew Stokoe, High Life

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