Cormac McCarthy is an American novelist and playwright. He has written ten novels in the Southern Gothic, western, and post-apocalyptic genres and has also written plays and screenplays. He received the Pulitzer Prize in 2007 for The Road, and his 2005 novel No Country for Old Men was adapted as a 2007 film of the same name, which won four Academy Awards, including Best Picture.
His earlier Blood Meridian (1985) was among Time Magazine’s poll of 100 best English-language books published between 1925 and 2005 and he placed joint runner-up for a similar title in a poll taken in 2006 by The New York Times of the best American fiction published in the last 25 years. Literary critic Harold Bloom named him as one of the four major American novelists of his time, along with Thomas Pynchon, Don DeLillo, and Philip Roth. He is frequently compared by modern reviewers to William Faulkner.
In 2009, Cormac McCarthy won the PEN/Saul Bellow Award, a lifetime achievement award given by the PEN American Center.
In his blistering new novel, Cormac McCarthy returns to the Texas-Mexico border, setting of his famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones.
One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.
As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines.
No Country for Old Men is a triumph.
A searing, post apocalyptic novel destined to become Cormac McCarthy’s masterpiece.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.
Nobody wants to be here and nobody wants to leave.
You forget what you want to remember, and you remember what you want to forget.
You never know what worse luck your bad luck has saved you from.
Scars have the strange power to remind us that our past is real.
People were always getting ready for tomorrow. I didn’t believe in that. Tomorrow wasn’t getting ready for them. It didn’t even know they were there.
Between the wish and the thing the world lies waiting.
There is no God and we are his prophets.